Subject: Re: raw 3.1 professional custom profiles for highend digital cameras
Thanks for your thoughtful reply. I think we all agree that the digital exposure should make maximum use of available bits and that the exposure should be biased toward the right. Unfortunately, most of us do not know how to do this with sufficient precision. Perhaps this would be a good topic for one of your "out of gamut" essays on CreativePro. Haven't seen much new there lately.
ACR's highlitht recovery is a wonderful tool, but doesn't it require one or two channels that are not blown?
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